By Barry Johnson
Beaverton needs help. Specifically, the Beaverton School District, which is attempting to raise $800,000 in the next three weeks to qualify for a $4 million federal arts education grant in its elementary schools. Christina Lent's story in the Beaverton Valley Times has the details. The grant is intended to “help students engage more fully by using arts integration strategies to improve their reading and writing skills,” according to Superintendent Jerry Colonna. It's aimed primarily at grades 3-5.
That's a lot of money to raise, but a recent survey conducted by the Creative Advocacy Network showed that there's a larger reservoir for arts support than maybe we imagine, especially if it's connected to arts education. Beaverton will test that proposition in the next few weeks. Step One might be to make the campaign readily apparent on the school district's web site: Make donations easy!
Stuff like this: As the Metropolitan Opera does, so will the Berlin Philharmonic and Philadelphia Orchestra. They are going to stream live performances to willing theaters -- British ones in the Berlin Philharmonic's case, American for the Philadelphia Orchestra. "There is a market out there for this. The Met proved this," said Mark Rupp. "There are audiences willing to view stuff like this." Rupp is the president of SpectiCast, which will do the simulcasting in Philadelphia.
So, I'm wondering. Would Portlanders get up and out of the house and head for their neighborhood theater to watch Simon Rattle's Berliners play Beethoven's Symphony No. 4 and Gustav Mahler's Symphony No. 1 (which will be their program for the first concert)? Is a symphony concert really like an opera? The sound system would have to be really good...
An army of one: After Toronto's summer experimental/fringe dance/performance festival expired, dance entrepreneur Sion Irwin-Childs leapt into the breach, cranking up the Dance 2 Danse Festival, which starts this weekend in Toronto. He didn't get a lot of help. Local arts councils turned down his grant applications, and even the dance community has been a bit standoff-ish, according to the Toronto Star, though advance ticket sales have been brisk. Most performances take place in a 130-seat theater with tickets priced at $15. “I’m an army of one,” Irwin-Childs says. “It’s the way I like it.”
So, is there room in Portland's festival calendar for a little dance festival? And who'd be the general of this army of one?